Wuxia film style of Tsui Hark in the early nineties, film texture, warm yellow retro color palette, high contrast, 24fps, coherent footage, slight film grain, handheld feel, slightly unstable camera + motion blur, enhancing tension and oppression. Late night, ancient dilapidated temple, next to the altar beneath a giant Buddha statue, a middle-aged Wuxia man is resting with his eyes closed. The temple lighting is dim, and candlelight flickers on the altar; the man's clothes are worn, blue-green, with a black cloak, hair tied up, a three-foot long beard, handsome and stern, with a long sword at his waist. A masked assassin leaps down from the rafters to assassinate him. The man flips over, draws his sword to block, sparks fly as the swords clash, he turns and sends the assassin flying with a palm strike, destroying the altar and raising dust; cut to a close-up of the man's sharp eyes beneath his bamboo hat. The assassin attacks again, the man blocks with his sword and counterattacks. His swordsmanship is fierce like a swimming dragon, his movements are agile, with realistic impact, sparks flying everywhere, cinematic action long take, strong visual impact, dust flying on the brick floor. The man uses Qinggong (lightness skill) to leap behind the assassin. Close-up of the assassin's terrified, sweating expression. The man stabs the assassin in the back with his sword, drawing blood. After a pause, he performs a mid-air double kick, and the assassin screams and crashes through the shattered main door. The man coolly sheathes his sword, presses his right hand on his bamboo hat, his eyes cold and sharp, he flicks his cloak open, and scornfully says: Ant (with subtitles), then walks away gracefully. Wuxia background music.